‘The Virgin and Child with Saint Anne’ by Leonardo da Vinci was likely commissioned around 1501–1503 by the Servite monks for the high altar of Santissima Annunziata in Florence. However, Leonardo kept the painting with him, which was never installed in the church. After his death, the artwork became part of the French royal collection, eventually finding its home in the Louvre.
This composition, depicting Saint Anne with her daughter, the Virgin Mary, and the Christ Child, reflects Leonardo’s ongoing exploration of holy familial relationships. Unlike earlier representations of Saint Anne with the Virgin and Child, Leonardo’s work features an intricate triangular arrangement that brings a natural unity to the figures. This version stands out for its psychological depth, with each figure’s gaze and posture carefully crafted to convey a dynamic yet harmonious connection.