The Loggia degli Eroi (Heroes’ Lodge) in the Palazzo del Principe, Genoa

The Loggia degli Eroi (Heroes’ Lodge) in the Palazzo del Principe, Genoa, represents one of the crowning achievements of Perino del Vaga (1501-1547), who completed this elaborate decoration between 1528 and 1533. Commissioned by Andrea Doria, the loggia honours the illustrious hundreds of years of the Dorias’ lineage. 

The loggia features an extensive cycle of frescoes and stucco work, blending mythological themes with dynastic pride. Along the walls, twelve warriors appear dressed as ancient Romans—except one in modern armour—symbolising the virtues of the Doria ancestors, all identified by shields bearing the family crest and a black eagle on a gold and silver field. An inscription reads: ‘PRAECLARAE FAMILIAE MAGNI VIRI MAXIMI DUCES OPTIMA FECERE PRO PATRIA’ (‘The great men of the illustrious family, supreme leaders, performed excellent deeds for their homeland’). Inspired by Michelangelo’s statues in the Medici Chapels, these figures are linked through a rhythmic sequence of gestures, one of Perino’s most original inventions.

The vault’s five sections display octagonal medallions bordered by fine stucco depicting Roman patriotism—heroic sacrifices for Rome, including tales of Orazio Coclite, Tito Manlio Torquato, Marco Curzio, Furio Camillo, and Muzio Scevola. Drawing on Plutarch’s example, the frescoes present a deliberate parallel between Roman legacy and Doria family virtues, positioning the Dorias as modern-day saviours of their homeland.

Following initial works, the loggia underwent many alterations. In the mid-19th century,  Annibale Angelini led efforts to revive damaged sections, covering some nudity with additional drapery in accordance with the modesty standards of the time. However, in April 1849, during violent uprisings against Piedmont, the palazzo suffered artillery damage. Further devastation occurred during the Second World War, significantly impacting parts of the palace, affecting the condition of many frescoes. Fortunately, a large portion of the artwork has been preserved through dedicated restoration efforts.

Ubi sunt qui ante nos fuerunt?

Yvo Reinsalu

October 2024