Blog Archive • Ars Memoriae Vincit Oblivionem

Before the Time Ran Out: William Dobson in Oxford, 1642–1646 27 May 2026
Pinxi, Pinxit, Pingebat: The Signatures of Catharina van Hemessen 24 May 2026
Mother-of-Pearl and Ebony: The Extraordinary Bass Viola da Gamba of Martin Voigt, 1726 12 May 2026
Svetitskhoveli Cathedral, Mtskheta, Georgia 2 May 2026
Shio-Mgvime: a Sixth-Century Monastery 2 May 2026
Jvari, Church of the Holy Cross, Mtskheta, c.586–605 1 May 2026
An Antonine Portrait Bust and the Enduring Language of Greek Paideia 19 April 2026
Hendrick Goltzius (1558–1617), Self-Portrait, c. 1588–1590 19 April 2026
Michiel Coxie (1499–1592?) in Rome (c. 1532–c. 1539): Designs for the Loves of Jupiter 19 April 2026
A Silverpoint in Question: Rogier van der Weyden and Jan van Eyck 17 April 2026
Michaelina Wautier 6 April 2026
Between Two Worlds: Martino Martini in Chinese Scholar’s Dress 6 April 2026
Rubens in his last years 6 April 2026
The Family before the Baptism in Gerard David’s Jan des Trompes Triptych 23 March 2026
The Virgin No One Can Settle 23 March 2026
Our Lady, Bruges: An Exceptional Gothic Fabric in Brick and Tournai Stone 20 March 2026
Pieter Pourbus, A Triptych Wing with Juan López Gallo and His Sons 18 March 2026
St Salvator’s Cathedral, Bruges, c. 1250–1500 16 March 2026
Michelangelo, the Bruges Madonna 12 March 2026
Portrait of Philip the Good (1396–1467), Duke of Burgundy (Valois dynasty), a prince whose power rivalled that of kings 12 March 2026
Mary of Burgundy (1457–1482), last Valois Duchess of Burgundy and heir to the Burgundian Netherlands 12 March 2026
Carel Fabritius and the Surviving Window onto Delft in the 1650s 28 February 2026
Love Conquers All: Caravaggio’s Amor Vincit Omnia in Rome around 1600 26 February 2026
The Viola da Gamba Collection of the Musikinstrumenten-Museum, Berlin 19 February 2026
St Nicholas’ Church, Berlin: From Fieldstone Romanesque to Hanseatic Brick Gothic 17 February 2026
The Braunschweiger Monogrammist’s The Loose Society and the Regulation of Brothel Life in Sixteenth-Century Antwerp 16 February 2026
Rembrandt van Rijn’s Landscape with an Arch Bridge and Its Reattribution from Govert Flinck 11 February 2026
Marienkirche at Alexanderplatz and the Late Medieval Dance of Death in the Shifting Fabric of Berlin 10 February 2026
Isaac van Ostade and the Transformation of the Haarlem Winter Scene 10 February 2026
Petrus Christus’ Portrait of a Young Girl: Between Burgundian Code and Individual Presence 3 February 2026
Berlin Cembalo circa 1700 Attributed to the Workshop of Johann Heinrich Harrass and Its Association with Johann Sebastian Bach 31 January 2026
Rembrandt’s Old Man in an Armchair and the Unfinished Business of the Rembrandt Research Project 28 December 2025
Broken Bass Viola da Gamba: An Emblem of Failed Discipline 3 December 2025
Rembrandt, Woman Sitting Half Dressed beside a Stove, Intimacy in the Late Etchings 1 December 2025
Rembrandt, Self-Portrait with Cap Pulled Forward, Experiment and Self-Scrutiny in the Early Etchings 30 November 2025
Rembrandt, The Entombment, Where Light Barely Survives 30 November 2025
The Capitoline Venus and the Slow Conquest of Admiration 20 October 2025
Reconciliation in Marble: Bernini’s Portrait of Innocent X 19 October 2025
The Measure of Change in Santa Maria del Popolo 19 October 2025
Caravaggio’s Francis and the Condition of Extremity 18 October 2025
Valentin de Boulogne: The Most Passionate of Caravaggio’s Heirs 18 October 2025
Caravaggio’s Magdalene: The Woman Who Sat for a Saint 18 October 2025
Titian (c. 1488–1576), Scourged Christ, c. 1568 17 October 2025
Jean-Antoine Houdon (1741–1828), Saint John the Baptist, 1766–1767 17 October 2025
Caravaggio’s Angel Playing from a Netherlandish-Burgundian Score 15 October 2025
Titian’s St Dominic 14 October 2025
Palazzo Doria Pamphilj, Rome 14 October 2025
Bartolomeo Passarotti’s Portrait of a Man with a Dog 13 October 2025
The Argument in the Dome: Architecture and Fresco at Sant’Andrea della Valle, Rome 13 October 2025
Gaulli at the Gesù: Illusionism, and the Model of Jesuit Decoration 11 October 2025
Hendrick Avercamp (1585–1634): The Silent Theatre of Life on the Ice 27 September 2025
Witness in the Dark: Gerrit van Honthorst’s Christ before the High Priest and the Language of the Nocturne 13 September 2025
Staircases and the Codification of Order: Marble Hill House in the Context of the Palladian Revival 13 September 2025
Attici Amoris Ergo: A Secret Grammar of Love 4 September 2025
He Grows Cold Who Does Not Burn: Isaac Oliver’s A Man Consumed by Flames between Love Token and Protestant Impresa 3 September 2025
King Charles I and the Poetry of Gesture: Van Dyck’s Hands 3 September 2025
St Anne’s, Limehouse: Hawksmoor’s Unfinished Dialogue of Style and Restraint 26 August 2025
François-Hubert Drouais: Master of Rococo Portraits 26 August 2025
Intimacy by Candlelight: Godfried Schalcken and the Fate of Dutch Painting After the Golden Age 26 August 2025
Jacobean Architecture in London: Forty Hall and the Merchant’s Mansion Tradition 7 August 2025
Artus Wolffort and the Transformation of Antwerp Mannerism: Esther’s Toilet and Sacred Sensuality 1 August 2025
Rainbow Portrait of Elizabeth I: Art, Allegory, and the Politics of Late Elizabethan England 21 July 2025
Bathsheba Observed by King David: Jan Matsys and the Language of Antwerp Mannerism 21 July 2025
Hatfield Old Palace (1485–1497): A Tudor Royal Nursery and a Landmark of Late Gothic and Early Renaissance Architecture. 21 July 2025
St Etheldreda’s, Hatfield (c. 1240): A Parish Church of Medieval Origins with Sophisticated Tudor and Jacobean Monuments 21 July 2025
Hatfield House (1612): The Jacobean Palace of Robert Cecil, 1st Earl of Salisbury, and a Landmark of Early Seventeenth-Century English Architecture 21 July 2025
Robert Cecil’s Monument by Maximilian Colt: Northern Mannerist Idioms in Early Seventeenth-Century England 21 July 2025
Jacob Jordaens’s Self-Portrait: The Image of the Artist as Learned Artisan 1 July 2025
Salome with the Head of Saint John: Rediscovering Diana de Rosa, Annella di Massimo, a Forgotten Woman Artist of Baroque Naples 1 July 2025
Artemisia Gentileschi in Stuart London: David with the Head of Goliath, c.1638 1 July 2025
Cornelis Johnson in the Shadow of Van Dyck: A Transitional Painter of Baroque England 1 July 2025
Gillis Claeissens: A Forgotten Master of the Bruges School 30 June 2025
From Imperial Ambition to National Senate: The Ovid Gallery at Wallenstein Palace 28 June 2025
St George’s Basilica, Prague: Christianisation of the Slavs and Přemyslid Politics in Tenth-Century Bohemia 27 June 2025
Antoon van Dyck’s Abraham and Isaac: A Teenage Painter at the Threshold of Counter-Reformation Antwerp 27 June 2025
Saint Nicholas Church in Prague’s Old Town: Where Baroque Art Meets Hussite Tradition 25 June 2025
The Habsburg Theatre of Allegory: Spranger’s Triumph of Empire over the Turks 25 June 2025
Andrea Vaccaro’s Penitent Magdalene: A Sensual Devotional Type for the Neapolitan Open Market. 25 June 2025
Rembrandt’s Scholar in Prague and the Theatre of Learning 24 June 2025
St Nicholas in Malá Strana, Prague: A Jesuit Masterpiece of the Central European Baroque. 23 June 2025
Johann Carl Loth in Venice: A German Painter and the International Spirit of Baroque Art 23 June 2025
‘The Annunciation to the Virgin’: A Workshop Enigma between Rembrandt and Willem Drost 23 June 2025
The Old-New Synagogue, Prague (c. 1270): The Most Important Surviving Gothic Synagogue in Europe 22 June 2025
Benedikt Rejt (c. 1450–1531/36): Engineering Visionary of the Jagiellonian Court and Creator of the Vladislav Hall at Prague Castle 22 June 2025
Paulus Roy’s Triple Portrait of the Habsburg Emperors: A Rare Tabula Scalata in the Service of Dynastic Representation at Rudolf II’s Prague 22 June 2025
Albrecht Dürer’s Feast of the Rose Garlands (1506): An Altarpiece of Empire and Artistic Ambition 22 June 2025
Maria Maxmiliana: Hans von Aachen’s Farewell to the Rudolfian Court 22 June 2025
Jacopo Tintoretto (1518–1594): Challenging Titian’s Authority through a New Visual Drama in The Flagellation of Christ 21 June 2025
A Later Vision: Guido Reni’s Prague ‘Hercules and Nessus’ and the Transformation of Style and Meaning 21 June 2025
Bernaert de Rijckere’s Diana Surprised by Actaeon and the Collecting Taste of Rudolf II 21 June 2025
From Florence to Bohemia: Pugliani and the Language of Power in Wallenstein Palace 21 June 2025
When Specialisms Meet: The Mater Dolorosa with Garland by Margherita Caffi and Lorenzo Pasinelli in Baroque Bologna 20 June 2025
The Four Winds Carry His Silence: Hieronymus Cock (1517/18–1570), Whose Antwerp Press United Italian and Northern Renaissance 20 June 2025
The Cult of the Holy House in Europe and the Prague Loreta: Bohemia’s Magnificent Baroque–Rococo Response 19 June 2025
Disarming Desire: Anthonie Blocklandt van Montfoort between Italy and Utrecht 19 June 2025
A Window onto Eighteenth-Century London: Canaletto’s Vision of a Rebuilt City and its Civic Splendour 18 June 2025
St Francis of Assisi in Prague: The Vision of Jean-Baptiste Mathey, French Architect of the Classicising Roman Baroque in Bohemia 18 June 2025
From Rayonnant Gothic to Art Nouveau: St Vitus Cathedral, Prague 16 June 2025
A Noblewoman at Her Easel: Sofonisba Anguissola 15 June 2025
The Window of Prague, Whence the Whole of Europe Was Shaken, 23 May 1618 15 June 2025
The Protestant Caesar: A Posthumous Portrait of Gustav II Adolf in Northern Europe 7 June 2025
Two Towns in One: The Feudal Aristocratic Toompea Hill and the Merchant Lower Town of Medieval Tallinn 25 May 2025
Roman Schools 1st-2nd century AD, ‘ Homer’, Roman interpretation after a lost Greek Hellenistic original 23 May 2025
Roman Schools 1st-2nd century AD, ‘ Hercules’, Roman interpretation after an original by the Greek sculptor Lysippos of about 325–300 BC. 23 May 2025
Giuseppe Angelini (1735–1811) and Roman Schools 1st-2nd century AD, ‘ The Knucklebone Player’ 22 May 2025
All Souls Church, Langham Place: John Nash’s Scenographic Classicism in Regency London 20 May 2025
Michael Sittow (c. 1469–1525), The Ascension of Christ, c. 1500–1504 19 May 2025
The Passion Altarpiece, Niguliste Church, Tallinn 18 May 2025
The Gothic Portals of St Catherine’s, the Burned but not Lost Dominican Church of Tallinn 18 May 2025
Bernt Notke (c. 1435–1509) and the Baltic Late Gothic: Expressive Carving and Polychromy in the Altarpiece of the Holy Spirit, Tallinn (1483) 18 May 2025
Antoon van Dyck (1599–1641), ‘Portrait of a Woman, possibly Isabella Cattaneo Della Volta Imperiale,’ c. 1625–27 18 May 2025
Antoon van Dyck (1599–1641), ‘Carlo and Ubaldo See Rinaldo Conquered by Love for Armida, 1634-1635 18 May 2025
Niguliste kirik (St. Nicholas’ Church) in Tallinn 17 May 2025
The First Romanov Abroad: Mikhail Fedorovich Romanov (1596–1645) and His Diplomatic Portrait in Tallinn 17 May 2025
The Other Van Dyck: Portrait of the Artist-Colleague François Langlois (1589–1647) 17 May 2025
The Church of the Holy Spirit in Tallinn and the survival of a pre-Reformation interior in a Lutheran city 15 May 2025
Tallinn’s Dome Cathedral (Toomkirik): Symbolic Seat of Power from Christianisation in the 13th Century to the First World War 14 May 2025
The Gothic Church of St Olaf in Tallinn as Monument of a Popular Northern European Royal Saint and Estonian Folkloric Traditions 14 May 2025
Workshop of Bernt Notke (c. 1435–1508), ‘Danse Macabre’, after 1493 13 May 2025
Bernardo Strozzi (1581-1644), ‘Allegory of Music’ 12 May 2025
Bernardo Strozzi (1581–1644), ‘St Cecilia with the Heads of Valerian and Tiburtius’ 12 May 2025
St Giles’ Cripplegate in Barbican, London 19 April 2025
St Peter’s Church in Hever, Kent 12 April 2025
Hever Castle in Hever, Kent 12 April 2025
Rembrandt Harmenszoon van Rijn (1606-1669), ‘Belshazzar’s Feast,’ c.1637 6 April 2025
Simone Martini (1284–1344), ‘Christ Discovered in the Temple,’ 1342 5 April 2025
Rembrandt Harmensz. Van Rijn (1606-1669), ‘Abraham Entertaining the Angels,’ 1656 4 April 2025
Unidentified Roman workshop, c. 125-130, Bust of Hadrian wearing a paludamentum over a military cuirass (from Hadrian’s Villa in Tivoli) 1 April 2025
The King’s Chapel of the Savoy, London 30 March 2025
Frans Hals (1582-1666), ‘Portrait of a Woman with a Fan,’ c.1640 29 March 2025
Diego Velázquez (1599–1660), ‘Portrait of a Man,’ late 1630s, Oil on canvas, 65.3 x 76.3 cm, Apsley House, London 24 March 2025
Antonio Canova (1757 – 1822), ‘Napoleon as Mars the Peacemaker,’ 1802-1806 23 March 2025
Van Dyck’s Ecce Homo, An Idiom of Suffering and Human Fragility 15 March 2025
Rubens after Raphael, A Copy Turned into a Baroque Meditation on the Renaissance 15 March 2025
Rembrandt’s Saint Paul – The Silent Struggle of Faith and the Mystery of Grace 15 March 2025
Van Dyck’s Farewell to Antwerp, The Portrait of Marten Pepijn as an Homage to Fellow Artists 12 March 2025
David Teniers the Younger (1610–1690),The Smokers, 1633 12 March 2025
Jan Verhoeven (1600-1676), Portrait of Rombout Heyns, known as Smets (standard-bearer of the city-militia (Kloveniersgilde) of Mechelen, after 1630 12 March 2025
Antoon van Dyck (1599-1641), Lamentation over the Dead Christ, 1635 11 March 2025
Adriaen Brouwer(1605/06 – 1638), ‘Old Man in a Tavern’, c. 1632/35 10 March 2025
Jacob Jordaens, Cupid before the Sleeping Psyche, c. 1645: From Apuleius to Jacob Cats — Myth, Patronage and the Antwerp Art Market 10 March 2025
Love’s Conditions in Rubens’s Venus Frigida 9 March 2025
Maerten de Vos (1532-1603), Episodes from the life of Saint Anthony (Altar of the Guild of Saint Anthony and Saint Hubert), ca. 1594 9 March 2025
Peter Paul Rubens (1577-1640), Landscape with a timber wagon at sunset, 1635-1640 9 March 2025
Jan van Eyck (c.1390–1441), ‘Saint Barbara of Nicodemia’, 1437 8 March 2025
Van Dyck Paints His Own Memorial at the Antwerp Begijnhof 8 March 2025
Sint-Jacobskerk, Antwerp 7 March 2025
Sint-Niklaaskerk, Ghent 7 March 2025
Église Notre-Dame de Bon Secours, Brussels 7 March 2025
The Ghent Altarpiece, completed in 1432 by Hubert van Eyck (1385/90-1426) and Jan van Eyck (1390-1441) 6 March 2025
Sint Baafskathedraal in Ghent 6 March 2025
Held in Reserve: Rubens and the Long Commission for St. Bavo’s, Ghent 6 March 2025
Notre Dame de la Chapelle, Brussels 6 March 2025
Basilica of Our Lady of Hanswijk, Mechelen 2 March 2025
The Collegiate Church of St. Peter and St. Guido in Anderlecht, Brussels 1 March 2025
Attributed to William Larkin (c. 1580–1619) and his workshop,’ Portrait of Richard Sackville (1589–1624), 3rd Earl of Dorset’, 1613 16 February 2025
Danson House in Bexleyheath, Greater London 16 February 2025
Ferdinand Bol (1616–1680), Portrait of an Unknown Woman, c.1644 15 February 2025
Richard Jupp (1728–1799) and the Georgian Adaptation of Palladio: Guy’s Hospital Chapel (1780) 11 February 2025
The Tower of St Alban, Wood Street, London 9 February 2025
Giambologna (1529–1608),’ River God’, c. 1580 4 February 2025
Pellegrino di Giovanni (active 1397–1435), ‘The Virgin and Child with Angels; in the gable: King David holding a Psaltery’, 1428 1 February 2025
Alessandro Pampurino (c. 1460/62–c. 1522/23) and Antonio della Corna, Fresco ceiling from the Casa Maffi, Cremona, c. 1500 1 February 2025
St Martin-in-the-Fields, London 25 January 2025
Frans Hals (c.1582-1666) ‘The Laughing Cavalier’, 1624 16 January 2025
A Rescue Painted by a Man Who Could Not Save Himself: François Lemoyne’s Last Work 16 January 2025
The Chapel of St. John the Evangelist, the Tower of London 14 January 2025
Roman Schools 1st-2nd century AD, Marble bust of Venus (Aphrodite) 11 January 2025
Hellenistic period, c. 300 BC, The bronze head from Cyrene 11 January 2025
Attributed to François I Limousin (active before 1582-after 1615), ‘Portrait of Diane de Poitiers (1500 – 1566)’, c.1600 11 January 2025
Attributed to Jean de Court (fl. 1550–1583),‘ Jacob’s vision of Heaven, c. 1560 10 January 2025
Attributed to Jean de Court (Fl. 1550–1583), ‘Mucius Scaevola before Lars Porsenna’, c. 1580 10 January 2025
Judith Leyster and the Rhetorical Wit of Haarlem in ‘A Boy and a Girl with a Cat and an Eel’, c.1635/40 5 January 2025
Rembrandt Harmenszoon van Rijn ( 1606-1669), Self-Portrait at the Age of 63, 1669 4 January 2025
Guildhall, the City of London 27 December 2024
PompeiI 1 day before Christmas 26 December 2024
Villa of the Mysteries near Pompeii 26 December 2024
Caravaggio (1671-1610), The Flagellation of Christ, 1607-1608 25 December 2024
Mattia Preti’s The Temptation of Christ on the Mountain: Light and Darkness in the Baroque Representation of Temptation 24 December 2024
Annibale Carracci (1560 – 1609), Pietà, c. 1600 24 December 2024
The Basilica of San Francesco di Paola, Naples 23 December 2024
What Giordano Learned from Ribera and Caravaggio 23 December 2024
Titian (1490- 1576), Portrait of Cardinal Alessandro Farnese (1520-15 ), 1545-46 & Titian (1490- 1576), Pope Paul III and His Grandsons, c. 1546 23 December 2024
Antoon van Dyck (1599-1641), Crucifixion, 1621-1625 23 December 2024
Tommaso Manzuoli, called Maso da San Friano (1531-1571), ‘Double Portrait’, 1556 23 December 2024
Teatro di San Carlo in Naples 23 December 2024
The Duomo of Naples 22 December 2024
2nd century AD Antonine period, Roman marble interpretation after a 200 BC Hellenistic bronze original attributed to Doidalses of Bithynia, ‘Crouching Venus’ 22 December 2024
Chiesa del Gesù Nuovo (Church of the New Jesus) in Naples 22 December 2024
The ‘Paradise’ fresco in the Royal Chapel of the Treasure of San Gennaro in Naples Cathedral 22 December 2024
The Tomb of King Ladislaus of Durazzo (1377–1414), San Giovanni a Carbonara, Naples 22 December 2024
Chiesa di Santa Caterina a Formiello (Church of Saint Catherine by the Aqueduct), Naples 22 December 2024
Seeing as Prayer in the Nuns’ Choir at Santa Maria Donnaregina Vecchia in Naples 22 December 2024
Battistello Caracciolo (1578–1635), Miracle of Saint Anthony of Padua, 1622 22 December 2024
The Tomb of Mary of Hungary (1257–1323), Queen of Naples, in the Church of Santa Maria di Donnaregina Vecchia, Naples 22 December 2024
Artemisia Gentileschi (1593 – 1654/1656), ‘Judith Beheading Holofernes’, 1612–1613 22 December 2024
Roman school, 2nd-1st century BC, ‘Doryphoros (Spear Carrier)’ 21 December 2024
Roman School, 2nd or early 3rd century AD, ‘The Neoptolemus and Astyanax (or Achilles and Troilus)’ 21 December 2024
Caracciolo di Vico Chapel in the Church of San Giovanni a Carbonara in Naples 21 December 2024
Michelangelo Buonarroti (1475-1564), Venus and Cupid, c. 1535 21 December 2024
Battistello Caracciolo at Capodimonte 21 December 2024
Humanising the Divine in Angevin Naples: The Frescoes of the Cappella Loffredo at Santa Maria Donnaregina Vecchia 20 December 2024
Caravaggio (1571-1610), The Seven Works of Mercy, 1607 20 December 2024
Museo Capodimonte, Salone delle Feste 20 December 2024
The Portrait of Terentius Neo,circa 50–79 CE 20 December 2024
Parmigianino (1503–1540), Antea, c.1531–34 19 December 2024
Palazzo dello Spagnolo, Naples 19 December 2024
Chiesa di San Nicola alla Carità, Naples 18 December 2024
The Royal Palace of Naples: Architectural Transformations from Fontana’s Renaissance Design, through Picchiatti’s Baroque Expansion, to Genovese’s Neoclassicism 18 December 2024
The Farnese Atlas and the Survival of Ancient Cosmology in Roman Sculpture 18 December 2024
The Court Theatre of the Royal Palace of Caserta 17 December 2024
The Royal Palace of Caserta 16 December 2024
The Catacombs of San Gennaro in Naples 15 December 2024
Chiesa di San Domenico Maggiore (Church of Saint Dominic the Greater), Naples 15 December 2024
Glycon the Athenian (before 200 AD-c. 250 AD?), ‘Farnese Hercules’ c. 216 AD 14 December 2024
Roman school, the first half of the 1st century AD, ‘Kneeling Barbarian’ 13 December 2024
Westmister Abbey 10 December 2024
Rembrandt Harmensz. van Rijn (1606-1669), ‘Reclining female Nude’,1658 4 December 2024
Lumen Portengen (1608–16490,‘The Concert’, c.1630s 4 December 2024
Rembrandt Harmensz. van Rijn (1606-1669), ‘Woman at the Bath with a Hat beside her’, 1658 4 December 2024
Rembrandt Harmensz. van Rijn (1606-1669), ‘Diana at the Bath’, c. 1631 4 December 2024
Jacob Isaacksz. van Ruisdael (1628/1629–1682), ‘Woodland Vistas’, c. 1670 4 December 2024
Follower of Hans Holbein the Younger (1497/8 – 1543), ‘Portrait of Sir Thomas Wyatt the Younger (c.1521-1544)’, circa 1600 3 December 2024
Roman, Severan Period, circa 212–217 A.D., Marble Portrait Bust of the Emperor Caracalla 3 December 2024
Melancholy and Introspection in the Haarlem School: Allegorical Dimensions of Adriaen van Ostade’s Man Holding a Pipe 3 December 2024
Jacopo Robusti, known as Tintoretto ( 1518- 1594),’ The Muses’, 1578 18 November 2024
Peter Paul Rubens (1577-1640) and Frans Snyders (1579-1657), ‘Pythagoras Advocating Vegetarianism’, 1618-20 18 November 2024
Two Painters, One Canvas: Rubens and Snyders at Hampton Court 18 November 2024
Brussels workshop of Willem de Pannemaker (c. 1510 – 1581),’ The Departure of Abraham’, after designs by Pieter Coecke van Aelst ( 1502–1550), c. 1540 – 1543 18 November 2024
The Queen’s Staircase at Hampton Court Palace 18 November 2024
The King’s Staircase at Hampton Court Palace 18 November 2024
The Hampton Court astronomical clock 18 November 2024
Raphael (1483–1520), ‘The Bridgewater Madonna’, 1507 17 November 2024
Raphael (1483–1520), Back view of Michelangelo’s David, 1507–8 15 November 2024
Michelangelo Buonarroti (1475–1564), Studies for a Holy Family, 1505 15 November 2024
Anonymous 16th-century Italian artist and alterations by Peter Paul Rubens (1577-1640), ‘ The Battle of Anghiari’ after the lost original by Leonardo Da Vinci (1452-1519), 1603 12 November 2024
Michelangelo Buonarroti (1475–1564), Kneeling Man, 1494-96 12 November 2024
Raphael ( 1483-1520), ‘ Leda and the Swan, c. 1505-07 12 November 2024
Michael Sweerts (1618–1664), An Old Woman Spinning, 1646–1648 10 November 2024
Paolo Veronese (1528 – 1588), Hermes, Herse and Aglauros, 1576–1584 10 November 2024
Paulus Moreelse (1571–1638),‘A Girl with a Mirror’, 1627 9 November 2024
St. Mary Rotherhithe Free School 7 November 2024
Michelangelo Merisi da Caravaggio (1571–1610), Boy Bitten by a Lizard, c. 1594–1596 5 November 2024
Polidoro da Caravaggio (C. 1499-1543) ‘The head of St Thomas’, c.1527 4 November 2024
Leonardo da Vinci (1452-1519), A storm over a valley, c.1506-10 4 November 2024
Attributed to Giovanni Girolamo Savoldo (C. 1480-C. 1548),The head of a man, c. 1520-30 4 November 2024
Sutton House, London 3 November 2024
Fulham Palace, London 2 November 2024
Robert Campin (1378/9 – 1444), ‘ Portrait of a young woman ‘, c. 1435 1 November 2024
Attributed to Michelangelo Merisi Caravaggio (1573- 1610), Ecce Homo, possibly 1605-1609 19 October 2024
Roman Schools, 161–169 AD, Bust of a Man, Possibly Lucius Verus. 18 October 2024
Jan Provoost (1465-1529), Annunciation, 1500-1510 10 October 2024
Antoon van Dyck (1599-1641), Christ with his cross showing his wound, c. 1619 9 October 2024
Bernardo Strozzi (1581–1644): From Monastic Restraint to Venetian Freedom 8 October 2024
Christ washes the feet of the Apostles (1610–1619): In the Footsteps of Caravaggio and the Unresolved Mystery of the Maestro di Resina 8 October 2024
Between Modena and Genoa: Barnaba da Modena (c. 1328–c. 1386) and the Persistence of a Byzantine Vision 8 October 2024
Jacopo Robusti Tintoretto (1518-1594), Portrait of Scipio Clusone with a dwarf valet, c. 1561 7 October 2024
Gerard of the Nights (Gerrit van Honthorst, 1590–1656): Candlelit Visions of Grief and Humanity 6 October 2024
Hans Memling (c.1430–1494): Crafting a Devotional Model for Europe 6 October 2024
Rubens, Genoa and the Spanish Imperial World 5 October 2024
Domenico Fiasella, called Il Sarzana (1589 – 1669) and his pupil Giovanni Battista Casoni (1610- 1686), ‘Diana and Endymion’, 1640 5 October 2024
Ansaldo Pallavicino by Antoon Van Dyck (1599–1641) Fragment of a Lost Family Portrait 5 October 2024
Agnolo di Cosimo, called il Bronzino (1503- 1572), ‘Portrait of Andrea Doria (1466- 1560) as the God of the Sea’, c. 1545-46 4 October 2024
Guercino (1591–1666): Cleopatra’s Last Act — Tragedy with Grace 4 October 2024
Chiesa di San Donato (Church of Saint Donatus) 3 October 2024
Galleria degli Specchi (Hall of Mirrors) at Genoa’s Palazzo Reale 3 October 2024
The Magdalene’s Parish: Piety and Pleasure in the Caruggi of Genoa 3 October 2024
Perino del Vaga, Frescoes of the Entrance Hall c. 1529–1530, Villa del Principe (Palazzo del Principe), Genoa 3 October 2024
Antoon van Dyck (1599–1641): The Dying Christ — An Early Genoese Prototype Revisited Across a Lifetime 3 October 2024
Allegory of Life: Pieter Boel’s Reflection on Mortality, Luxury, and the Multicultural World of Seventeenth-Century Genoa, Banking Capital of Europe 3 October 2024
Precious Netherlandish Art in the Genoese Republic: The Raggio Triptych between Commerce, Power, and Devotion 3 October 2024
Van Dyck’s Tribute to Titian : The Coin Between God and Caesar 3 October 2024
Mattia Preti (1613–1699): Doubt and Revelation within a Caravaggesque Inheritance 3 October 2024
Antoon van Dyck (1599 – 1641) ‘ Equestrian portrait of Anton Giulio Brignole-Sale’, 1627. 3 October 2024
Basilica di Santa Maria Assunta in Carignano (Basilica of Saint Mary of the Assumption in Carignano), Genoa 3 October 2024
The God of War in a Lansquenet’s Coat: Rubens, Mythology, and the Thirty Years War 3 October 2024
Joos Van Cleve (c. 1485 – 1540 /1541), ‘The Madonna and Child’ 3 October 2024
Unidentified Tournai workshop, ‘Histories of Alexander the Great’ c.1460 2 October 2024
Chiesa di San Pietro in Banchi in Genoa 2 October 2024
Lazzaro Tavarone (1556 – 1640), ‘Raffaele Adorno (1375- 1458) besieges the city of Tunis’, 1624 2 October 2024
Mattia Preti’s Clorinda Frees Olindo and Sofronia from the Stake: A Baroque Response to Tasso’s Jerusalem Delivered and Its Appeal in an Age of Christian–Ottoman Conflict 2 October 2024
Antonio Canova (1757 – 1822), ‘The penitent Mary of Magdalene’, c.1793-1796 2 October 2024
Matthias Stom (c.1600– after 1652), ‘Salome with the Head of St. John the Baptist’, 1630-1652 2 October 2024
Chiesa di Santa Maria di Castello, Genoa 1 October 2024
Bernardo Strozzi in Palazzo Nicolosio Lomellino, Genoa 1 October 2024
Palazzo Angelo Giovanni Spinola in Genoa. 1 October 2024
Chiesa di San Matteo in Genoa 1 October 2024
Palazzo Rosso, Genoa 1 October 2024
The Sabine Women as a Baroque Meditation on Rome’s Beginnings 1 October 2024
Giovanni Pisano (c. 1248 – c.1315), ‘ Margaret of Brabant (1276- 1311) Raised from the Tomb by Two Angels’, c.1313-14 1 October 2024
Piazza San Matteo: The Doria Family and the Architecture of Power in Medieval and Renaissance Genoa 30 September 2024
Palazzo San Giorgio, Genoa 30 September 2024
Palazzo Nicolosio Lomellino, Genoa 30 September 2024
Casa Piola and the Spinola Parish: San Luca and the Genoese Baroque 30 September 2024
Basilica of San Siro in Genoa 30 September 2024
Chiesa del Gesù e dei Santi Ambrogio e Andrea (Church of Jesus and of Saints Ambrose and Andrew), Genoa 30 September 2024
The Vineyards Church: Santa Maria delle Vigne and the Genoese Baroque Interior 30 September 2024
The Loggia degli Eroi (Heroes’ Lodge) in the Palazzo del Principe, Genoa 30 September 2024
Cathedral of San Lorenzo, Genoa 29 September 2024
Palazzo Salvago, Genoa 29 September 2024
Basilica della Santissima Annunziata del Vastato in Genoa 29 September 2024
Perino del Vaga (1501-1547), ‘The Fall of the Giants’, 1531-33 29 September 2024
All Hallows by the Tower, London 27 September 2024
Peter Paul Rubens (1577-1640), ‘The Three Graces’, c. 1636 23 September 2024
Jacob Isaacksz. van Ruisdael (1628/1629–1682), ‘A Waterfall’, 1670–79 22 September 2024
Peter Paul Rubens (1577-1640),’ Three Nymphs with a Cornucopia’, c. 1625–8 22 September 2024
Rembrandt van Rijn (1606–1669)?, Portrait of a Young Man, perhaps the Artist’s Son Titus 22 September 2024
The Great Hall at London’s Guildhall 21 September 2024
The stone bridge at Eltham Palace, London 16 September 2024
Inigo Jones (1573–1652) and the Undercroft of Lincoln’s Inn Chapel: A Seventeenth-Century Reworking of Gothic Form 15 September 2024
The Van Linge Brothers and the Painted Glass of Lincoln’s Inn Chapel: Innovation and Representation in Early Seventeenth-Century England 15 September 2024
St Helen Bishopsgate: A Thirteenth-Century Double-Nave Benedictine Church and its Architectural and Historical Continuities in London 15 September 2024
St. Dunstan and All Saints Church in Stepney, London 15 September 2024
Simon de Vlieger (1601-1653), ‘A Dutch Ferry Boat before a Breeze’, late 1640s 15 September 2024
Willem Wissing’s Portrait of Mary of Modena at the National Portrait Gallery 12 September 2024
Pitzhanger Manor, London 9 September 2024
Workshop of Giovanni Maria Mosca(1495/99 – after 1573), ‘Philoctetes on the island of Lemnos’, c.1510–1515 7 September 2024
Master of the Baroncelli Portraits (active in Bruges c. 1480–1490), ‘Saint Catherine of Bologna with Three Donors, ‘ c.1470–1480 7 September 2024
St Botolph without Aldgate: Georgian Restraint in Dialogue with Victorian Ornament 5 September 2024
St Mary-at-Hill in the City of London 5 September 2024
Antonio Abondio (1537/8–1591), ‘Portrait of Archduke Ernst of Austria (1553 – 1595)’, c. 1575–91 1 September 2024
Waddesdon Manor: A Rothschild Vision of French Renaissance Revival in England 1 September 2024
Giovanni Francesco Barbieri known as il Guercino(1591–1666), ‘Moses’, 1618/1619 1 September 2024
Thomas Gainsborough (1727–1788), ‘Portrait of Gainsborough Dupont (1754–1797)’, 1773 1 September 2024
The tower of St Vedast alias Foster, London 29 August 2024
Rubens and the Limits of Diplomatic Painting 27 August 2024
Giovanni Battista Moroni (1570-1572), ‘Portrait of a Man holding a Letter,’ c.1570 27 August 2024
Hall Place, Bexley, London 25 August 2024
Rembrandt Harmensz. van Rijn (1606–1669), ‘Male Nude, Seated and Standing’ (‘Het Rolwagentje’), circa 1646 24 August 2024
Jean-Marc Nattier (1685–1766), ‘Portrait of Manon Balletti (1740–1776),’ 1757 24 August 2024
School of Ictinus, The Bassai Frieze from the Temple of Apollo Epikourios at Bassai, c. 420-400 BC 24 August 2024
Peter Paul Rubens (1577–1640),’ Portrait of Ana Dorotea (1612–1694), an Illegitimate Daughter of Emperor Rudolf II as a Nun at the Convent of the Descalzas Reales, Madrid,’ c. 1628 21 August 2024
Gerard van Honthorst (1592-1656), ‘Satyr and Nymph’, 1623 18 August 2024
The Waterloo Gallery, Apsley House, London. 17 August 2024
Possibly Bartolomé Esteban Murillo (1617–1682), ‘Portrait of an Unknown Man,’ Mid-1650s 17 August 2024
The spire of St. Bride’s Church, Fleet Street, London 14 August 2024
Giovanni Francesco Barbieri known as Guercino(1591–1666), ‘Venus and Cupid,’ 1634 14 August 2024
The Long Gallery at Syon House, London 11 August 2024
Luigi Valadier (1726-1785), ‘The Dying Gaul,’ 1773 11 August 2024
The Ante Room at Syon House: How to Turn a Haberdasher’s Grandson into a Roman Senator 11 August 2024
Antoon van Dyck (1599–1641), “Portrait of Philippe Le Roy,” 1630 10 August 2024
Knole House in Kent 10 August 2024
When Renaissance Met the Baroque: Van Dyck and the Last Portrait of Sofonisba Anguissola. 10 August 2024
The wall oil on plaster paintings at Knole Castle 10 August 2024
At Antwerp’s Crossroads: Isabella van Waerbeke and Van Dyck’s Portrait of Friends 8 August 2024
Painted Poems for the Habsburgs: Titian’s Perseus and Andromeda 8 August 2024
Jacob Jordaens (1593–1678), ‘An Allegory of Fruitfulness’, 1620–9 8 August 2024
Michael Sweerts (1618–1664), ‘Portrait of Man, possibly Jean Deutz, with a Red Cloak’, c. 1650 8 August 2024
Carlo Dolci (1616–1687), ‘Salome (or Herodias) with the Head of John the Baptist’, c.1665–1670. 7 August 2024
St. Paul’s Church, Deptford, London. 5 August 2024
Giovanni Battista Caccini (1556-1613), ‘Christ as Saviour,’ c. 1598 1 August 2024
Boston Manor House , London. 29 July 2024
The west portico of St. Paul’s Cathedral, London. 29 July 2024
Minerva and Mercury Conduct the Duke of Buckingham to the Temple of Virtue: Rubens’s Lost Ceiling for York House. 29 July 2024
Paulus Moreelse (1571 – 1638), ‘ An Unknown Lady aged 26,’ 1632. 28 July 2024
The tower of the former St. Mary Somerset Church in the City of London 27 July 2024
The Entrance Hall, South Apse, Osterley house, London. 27 July 2024
The Etruscan Dressing Room’s Ceiling, Osterley House, London 27 July 2024
St Andrew’s Holborn Church, London. 25 July 2024
St. Sepulchre-without-Newgate, London. 23 July 2024
Love Is Stronger Than I Am: Van Dyck’s Portrait of Lord George Stuart 21 July 2024
The Dean’s Door on the south side of London’s St. Paul’s Cathedral. 20 July 2024
The steeple of St Mary-le-Bow,London 20 July 2024
The tower of the former Greyfriars Church, London. 19 July 2024
The tower of once existed Baroque church St Augustine of Canterbury Watling Street 16 July 2024
Paolo Veronese (1528–1588), ‘Unfaithfulness’ from the series ‘Four Allegories of Love,’ about 1575 9 July 2024
Paolo Veronese (1528–1588), ‘Respect’ from the series ‘Four Allegories of Love,’ about 1575. 9 July 2024
Guido Reni (1575 – 1642), ‘Susannah and the Elders’,1622-1623. 6 July 2024
St Giles-in-the-Fields, London. 2 July 2024
Bernhard Keil, called Monsù Bernardo (1624-1687), ‘An Allegory of Taste; An Allegory of Sight; An Allegory of Hearing; and An Allegory of Sight’. 2 July 2024
Lelio Orsi (1511-1587), ‘Aegina with Jupiter as an Eagle’. 2 July 2024
Attributed to Andrea Vaccaro (1607-1670), ‘The Penitent Magdalene’. 2 July 2024
Michelangelo Merisi da Caravaggio( 1571–1610), ‘The Martyrdom of Saint Ursula,’ 1610. 30 June 2024
Quentin Massys (1465/66- 1530),The Madonna of the Cherries, 1520s 30 June 2024
The western towers of St. Paul’s Cathedral, London 24 June 2024
Quentin Massys (1465/66- 1530), Fragment from ‘The Lamentation of Christ’, central panel of ‘The Carpenters’ Guild Triptych’, c.1511. 23 June 2024
Probably Milanese School, Head of John the Baptist, c.1500–1520. 15 June 2024
Michelangelo (1475-1564), ‘The Resurrected Christ appearing to his Mother,’ c. 1560-63. 15 June 2024
Michelangelo (1475-1564), ‘Christ on the Cross,’ 1555-1562. 15 June 2024
Michelangelo (1475-1564), ‘The Pietà (the ‘Warwick’ Pietà),’ 1533-1534. 15 June 2024
Michelangelo (1475-1564), ‘Study of a man rising (from the studies for the Last Judgment composition),’ 1540. 15 June 2024
Michelangelo (1475-1564), ‘Two Soldiers seen from behind in variant Poses (studies for the Roman soldiers at lower left in the Crucifixion of Saint Peter),’ 1545-1550 15 June 2024
Michelangelo (1475-1564) , ‘Study for the Fall of Phaeton from Ovid’s ‘Metamorphoses’ (I, 750 ff.). 15 June 2024
2nd-century Roman copy after Greek bronze sculpture by Miron c. 460-450 BC, Reconstructed by Carlo Albacini (1734 — 1813), ‘The Townley Diskobolos’. 14 June 2024
2nd-century Roman school in reconstructed form by Giovanni Battista Piranesi (1720-1778), ‘The Piranesi Vase’ 14 June 2024
Giovanni Battista Moroni (1520/4-1579), ‘Portrait of a Left-Handed Gentleman with Two Quartos and a Letter (‘Il Gentile Cavaliere’),’ c. 1564. 9 June 2024
Rochester Guildhall, Kent. Plaster ceiling above the grand stair, 1695. 8 June 2024
Rochester cathedral. 8 June 2024
Rochester Castle 8 June 2024
The Chapter House of Canterbury Cathedral 8 June 2024
Unidentified London workshop, The tomb of Archbishop of Canterbury William Courtenay ( 1342 – 1396 ), Alabaster sculpture, 15th century. 8 June 2024
The vault of the Great Cloister Garth (rebuilt 1394-1414) at Canterbury Cathedral 8 June 2024
The Black Prince: Tomb and Effigy in Fourteenth-Century England 8 June 2024
Canterbury Cathedral 8 June 2024
St James Church Piccadilly,London 6 June 2024
Antoon van Dyck ( 1599-1641), Portrait of the Sculptor ( most probably François Duquesnoy (1597 – 1643), 1627-29 5 June 2024
Dirk de Quade van Ravesteyn (active c.1576-1612), Venus Riding a Satyr, 1602-08 5 June 2024
Antoon van Dyck (1599–1641), Portrait of mathematician Joannes Carolus della Faille (1597-1652) in his Jesuit clothes, at the age of 32, 1629 3 June 2024
Notre-Dame du Sablon, Brussels. 3 June 2024
Jan Davidsz. de Heem (1606–1684), Still Life with Symbols of Desire and Regret, c.1625–1628 2 June 2024
Jacob Jordaens (1593–1678), Allegory of Fertility: In the Shadow of Rubens, c.1620s–1630s 2 June 2024
Abraham Janssens (c.1575–1632), ‘Lascivia’: The Allure and Folly of Beauty, c.1617–1620 2 June 2024
The Cathedral of St. Michael and St. Gudula in Brussels. 2 June 2024
Hof van Savoye, Mechelen: Renaissance Palace of Margaret of Austria and Childhood Home of Charles V of Habsburg, c.1526 1 June 2024
Cathedral of Our Lady, Antwerp: A Plate and a Falling-Out — Rubens, Vorsterman, and the Descent from the Cross 1 June 2024
Quentin Massys (1465/66- 1530),Christ on the Cross with Donors, c. 1520 1 June 2024
Sint-Pauluskerk in Antwerp 1 June 2024
Sint-Carolus Borromeuskerk: A Jesuit Gesamtkunstwerk in the Baroque Age 1 June 2024
The Grand Place in Brussels 1 June 2024
Govert Flinck’s Shepherd and the Problem of Painting Your Teacher 30 May 2024
Abraham Janssens (c.1575–1632), Concord, Charity and Sincerity Conquering Discord: Civic Allegory in Post-Truce Antwerp, 1622 30 May 2024
Frans Snijders (1579–1657), Commerce and Abundance on the Scheldt: The Antwerp Fish Market, c.1620s 30 May 2024
The Master of the Saints, ‘Triptych with St Christopher, St Anthony and St Jerome,’ ca 1510-1520. 29 May 2024
Michaelina Wautier (1604- 1689), Two Girls as Saint Agnes and Saint Dorothy, c. 1650 29 May 2024
Jacques Jordaens (1593–1678), Atalanta’s uncles try to rob her of the boar’s head she received from Melager (Ovid, Metamorphoses 7:260-444), c. 1617-1618 29 May 2024
Gérard de Lairesse ( 1641-1711), Venus hands over the armour made by Vulcan to Aeneas (Virgil’s Aeneid VIII, 608 ff.), 1668 28 May 2024
Attributed to Adriaen Thomasz. Key (c.1544-after 1589), ‘Portrait of Johan de Mauregnault (1540-1587)’, Second half of 16th century. 28 May 2024
Juan de Flandes (c.1450–c.1519),The Banquet of Herod, 1496 27 May 2024
Gothic roof bosses in Norwich Cathedral 27 May 2024
Church of Our Lady Across the River Dyle, Mechelen: A Brabantine Gothic Masterpiece with a Baroque Interior and Rubens’s ‘Miraculous Draught of Fish’ 26 May 2024
De Haverwerf, a historic quay along the River Dijle in Mechelen 26 May 2024
St Janskerk, Mechelen: From Brabantine Gothic Restraint to a Baroque Treasury of Flemish Art 25 May 2024
Sint-Katelijnekerk, Mechelen. 25 May 2024
The Cathedral of Our Lady in Antwerp. 25 May 2024
Lucas Faydherbe’s Church of Our Lady of Leliendaal, Mechelen (1662–1674): A Baroque Masterpiece by Rubens’s Pupil 24 May 2024
Church of Sint-Pieters-en-Paulus, Mechelen,(1669–1694): Continuity and Adaptation of the Jesuit Hall-Church Model in the Southern Netherlands. 24 May 2024
Begijnhofkerk, Mechelen 24 May 2024
Peter Paul Rubens (1577-1640), ‘Portrait of Christophe Plantin (1520-1589)’,c.1616 23 May 2024
St. Rumbold’s Cathedral, Mechelen. 23 May 2024
Michiel Coxie in St Rumbold’s Cathedral, Mechelen 23 May 2024
The ceiling of the Banqueting House in Whitehall, London. 19 May 2024
Agnolo di Cosimo, called il Bronzino (1503- 1572), Portrait of a Young Man, 1550-1555 18 May 2024
James Thornhill’s Painted Hall in the Royal Naval Hospital in Greenwich. 13 May 2024
Unidentified English artist, Portrait of a Naval Officer aged 24, 1619 13 May 2024
James Thornhill (1675/1676-1734),The Arrival of George I at Greenwich 13 May 2024
Abraham Bloemaert (1566–1651), Lot’s daughters make their father drunk (Genesis 19:33),1624 12 May 2024
Titian (c. 1488/90- 1576), Supper at Emmaus, c.1530 11 May 2024
Nicolaes Eliaszoon Pickenoy (1588-1656), Self-Portrait at the Age of Thirty-Six, 1627 10 May 2024
Rosso Fiorentino ( 1495 -1540), ‘Pietà,’ 1537- 1540. 9 May 2024
Michiel Sweerts (1618-1664), Young Man and the Procuress, c. 1660 8 May 2024
Roman copy of 1st-2nd century after a bronze Greek original of ca 300 BCE, ‘Silenus cradling the infant Dionysus’ 8 May 2024
Salomon de Bray (1597 – 1664) Barebreasted Salmacis combing her hair, c. 1630 7 May 2024
Germain Pilon (c.1525/1530-1590), The tomb of Henry II and Catherine de’ Medici (Transi marble monument of Henri II ), 1560 to 1573, Carrara marble, Basilica Cathedral of Saint-Denis, Paris 6 May 2024
Unidentified Paris workshop. Rose Window depicting St. John Eschatology Writing on the Apocalypse.c. 1490. 4 May 2024
Agnolo di Cosimo, called il Bronzino (1503- 1572), Portrait of a Man Holding a Statuette (formerly thought to be Baccio Bandinelli (1493-1560), c. 1545 4 May 2024
Rembrandt’s Bathsheba at the Louvre 4 May 2024
The mausoleum of Louis XII and Anne of Brittany, 1516-1531, the Basilica of Saint-Denis, Paris 4 May 2024
Johannes Vermeer (1632-1675), The Astronomer, 1668 3 May 2024
Église Saint-Laurent de Paris, Paris 3 May 2024
La Basilique-cathédrale Saint-Denis, Paris 3 May 2024
Roman copy of the 1st-2nd century after a Hellenistic original, executed in the Pergamene artistic milieu of the II century B.C.,Marsyas hanging on the tree as he is going to be flayed by Apollo 3 May 2024
School of Lyon/ Circle of Maître du Roman de la Rose de Vienne, Chess Players ,c.1450 3 May 2024
Between Giorgione and the Frari: Titian’s Young Man with a Glove in Context 3 May 2024
Portrait of a Beautiful Woman: Rembrandt’s Workshop and the Invention of Hendrickje Stoffels 3 May 2024
Jean Fouquet (1415/1420- 1481); Dunois Master (active before 1463); Master of Jean Rolin II (Hand B) (active last third of 14th century), “Mary holding the Christ-child,” Ms. 74/ The Hague Fragment from ‘Hours of Simon de Varie’, c. 1455. 2 May 2024
Jean Fouquet (1415/1420 -1481); Dunois Master (active before 1463); Master of Jean Rolin II (Hand B) (active last third of 14th century), ‘Mary holding the Christ-child,’ Ms. 7/ Getty Fragment from ‘Hours of Simon de Varie’, c. 1455. 2 May 2024
School of Brittany, ‘The Arrest of Christ, the Kiss of Judas. Saint Peter cutting the ear of the high priest’s servant,’ c.1425. 2 May 2024
Leonardo da Vinci (1452–1519), ‘The Virgin and Child with Saint Anne,’ 1503. 1 May 2024
Bernardino Luini (c.1481-1532), ‘Salome with the Head of St. John the Baptist,’ 1520-1530. 1 May 2024
Paris Bordone (1495 – 1570), Flore, 1540 1 May 2024
Raphael’s Castiglione and the Invention of the Thinking Portrait 1 May 2024
Late Hellenistic Period, Melos School, c. 150 BCE. Aphrodite? (known as Venus de Milo) 1 May 2024
Michelangelo Merisi da Caravaggio(1571–1610), Death of the Virgin, 1604-1606 30 April 2024
Saint-Nicolas-des-Champs, Paris: From a Hundred Years War Gothic Foundation through Renaissance Portals to the Early Classicism of Louis XIII 30 April 2024
Église Saint-Roch in Paris 30 April 2024
Designed by Jean Baptist I Lemoyne (1679-1731) and executed and finished by Jean-Baptist I| Lemoyne (1704-1778), ‘The Baptism of Christ,’ 1731. 30 April 2024
Master of Rohan (active c.1430–c.1445), Lamentation of the Virgin (f. 135, Pl. 57) from the Hours of the Cross in The Grandes Heures de Rohan, 1430–1435 30 April 2024
School of Tournai, The liberation of the apostle Peter, before 1461 30 April 2024
Leonardo di ser Piero da Vinci (1452 –1519), Portrait of a Lady of the Court, formerly known as La Belle Ferronière, 1490-1497 29 April 2024
L’église de la Madeleine, Paris 29 April 2024
Église Saint-Merri (Médéric), Paris 29 April 2024
Agnolo di Cosimo, called il Bronzino (1503- 1572), Noli Me Tangere, 1561 29 April 2024
Correggio’s Mystical Marriage of Saint Catherine of Alexandria in the Presence of Saint Sebastian and the Logic of the Sacra Conversazione 29 April 2024
Église Saint-Séverin in Paris 28 April 2024
Église Saint-Gervais Saint-Protais, Paris 28 April 2024
Eglise Saint-Etienne-du-Mont, Place Sainte-Geneviève, Paris 28 April 2024
Galerie de Pierre, Château de Versailles 28 April 2024
Château d’Écouen in Val-d’Oise 28 April 2024
Sainte-Chapelle, Paris 28 April 2024
Claude Saint-Paul (c. 1666 – before 1711), St Roch and the Angel, St-Nicolas-des-Champs church, Paris 28 April 2024
Eglise Saint-Germain-des-Pres 27 April 2024
Raphael (1483–1520), Self-portrait with a friend, 1518-1519 27 April 2024
Église Saint-Eustache, Paris 26 April 2024
Église Saint-Sulpice, Paris 26 April 2024
The Fitzalan Chapel, Arundel 23 April 2024
The Le Nain Brothers – Antoine (c. 1600–1648); Louis (c. 1603–1648); Mathieu (c. 1607–1677), Three Men (Self-portrait?) and a Boy 21 April 2024
Joachim Wtewael (1566-1638),The Resurrection of Lazarus, с. 1605-1510 20 April 2024
Daniël Mijtens (1591-1647), Portrait of Thomas Howard, 14th Earl of Arundel (1585-1646),c. 1618 20 April 2024
Antoon van Dyck (1599 – 1641), Portrait of Henry Frederick Howard, 22nd Earl of Arundel (1608-1652), 1632-1635 20 April 2024
Arundel Cathedral, West Sussex 20 April 2024
Neo-Gothic Baron’s Hall, Arundel Castle, Arundel, West Sussex 20 April 2024
Unidentified Italian artist (active in England in the first half of the 16th century), ‘Portrait of Poet Henry Howard, Earl of Surrey (c.1517-1547),’ 1546. 20 April 2024
Eastbury Manor House, Barking, Greater London 14 April 2024
St Benet Paul’s Wharf, London. 11 April 2024
Michaelina Wautier (1604–1689), ‘The Education of the Virgin,’ 1656. 27 March 2024
Salisbury Cathedral and the Idea of the Unfinished Temple 27 March 2024
Rubens and Marie de Médicis: The Theatre of Power and the Shadow of Defeat. 25 March 2024
Studio of Agnolo di Cosimo, called il Bronzino (1503- 1572), Portrait of Eleonora of Toledo (1522-62), c. 1562 – 1572 25 March 2024
Pieter Jansz. Pourbus (1523–1584), An Allegory of True Love: Moral Vision and Humanist Dialogue in Sixteenth-Century Bruges. 25 March 2024
From Devotion to Collecting: Quentin Massys and the Baroque Fascination with Early Netherlandish Painting 24 March 2024
Seduction and Elegance in the Art of Paulus Moreelse (c. 1571 – 1638) 23 March 2024
Hendrick ter Brugghen’s Democritus and the Humanist Taste of Seventeenth-Century Utrecht. 23 March 2024
The Vleeshuis in Antwerp and the Rare Survival of Civic Gothic Architecture. 23 March 2024
De Zalm, the guildhouse In den Grooten Zalm on the Zoutwerf in Mechelen. 23 March 2024
The Rijksmuseum’s Greatest Political Allegory: Adriaen Pietersz van de Venne’s 1614 Painting ‘Fishing for Souls’ 22 March 2024
Quentin Massys (1465/66- 1530), ‘St Mary Magdalene’, 1514-1524. 22 March 2024
The Artist as Apostle, Rembrandt’s Self-Portrait of Truth, Suffering, and Redemption 21 March 2024
Gortzius Geldorp (1553 – c. 1616), The Penitent Mary Magdalen, c.1600 21 March 2024
Presence Without Record: Rembrandt’s Two African Men at the Mauritshuis 21 March 2024
Burgerzaal, Royal Palace, Amsterdam 20 March 2024
Attributed to the workshops of Jan Borman II (c.1460–c.1520) and Renier van Thienen (I), Female Weeper wearing a Bourrelet with Dagged Lappets on her Head, from the Tomb of Isabella of Bourbon, c.1475–1476. 20 March 2024
Oude Stadhuis, the Hague 20 March 2024
Prince William V Gallery in the Hague. 20 March 2024
Forgotten Faces of the Dutch Golden Age: Rediscovering Voskuijl’s Self-Portrait 20 March 2024
Peter Paul Rubens (1577–1640), Old Woman and Boy with Candles, c.1616–1617 20 March 2024
Simon Luttichuys (1610–1661), Still Life with Chinese Vase, Hazelnuts and Orange, c.1650–1660 20 March 2024
Artus Quellinus (1609–1668), Jupiter, 1652–1654 19 March 2024
Werner van den Valckert (1580 – c. 1627), ‘Portrait of the goldsmith B. J. van Assendelft,’ 1617. 19 March 2024
Leonardesque Echoes in the Netherlands: Quinten Massys’s Late Madonna and Child 19 March 2024
Letters of Hope and Loss: Gerard ter Borch (1617–1681)’s Portrait of Gesina ter Borch (1631–1690) in an Age of War. 18 March 2024
The Oude Kerk and Jan Pieterszoon Sweelinck (1562–1621): At the Crossroads of Europe’s Organ Tradition. 18 March 2024
Esnoga – Portuguese Synagogue, Jewish quarter, Visserplein, Amsterdam. 17 March 2024
Willem Drost (1633–1659), ‘Ruth and Naomi.’ 9 March 2024
The University Church of St Mary the Virgin, Oxford. 9 March 2024
Johann Tobias Sergel ( 1740-1814), A copy after ‘Appollino’ sculpture, the 1770s, 5 March 2024
Attributed to David Beck (1621 –1656), ‘Portrait of Kristina, Queen of Sweden,’ c.1650. 4 March 2024
Rembrandt’s Girl at a Window and the Names She Never Had 4 March 2024
Simeon’s Blessed Departure with the Infant Christ in Rembrandt’s Final Canvas 3 March 2024
The Woman Who Was Everyone: Identity, Attribution, and Rembrandt’s Stockholm Tronie 2 March 2024
Johan Niklas Byström (1783-1848), ‘The Sleeping Juno with the infant Hercules at her breast,’ 1817, 2 March 2024
Tyska kyrkan in Stockholm 2 March 2024
Rembrandt on Gold: A Self-Portrait Before Amsterdam 2 March 2024
Circle of Cornelis Cornelisz. van Harlem (1562- 1638),’ Study of a Model (formerly known as portrait of Lasse Lucidor (1638–1674). 2 March 2024
Riddarholmen, Stochholm. 1 March 2024
Royal Palace of Stockholm, The West Octagonal Cabinet 1 March 2024
Streiff: The Most Celebrated European Horse of the Early Seventeenth Century in the Royal Armoury, Stockholm. 1 March 2024
The Pillared Hall, The Royal Palace, Stockholm. 1 March 2024
Jan Massys (1509- 1575), Venus Cythereia with the view of Genoa, 1561 1 March 2024
Probably Jacob Hoefnagel (1575–1630), ‘Portrait of Gustav II Adolf (1594–1632), King of Sweden’, c.1624 1 March 2024
Moral Theatre in the Dutch Home: Nicolaes Maes’ The Eavesdropper’. 25 February 2024
From Venice to Madrid to London: The Journey of Titian’s Danaë. 25 February 2024
Raphael (1483-1520), ‘Christ’s Charge to Peter (Matthew 16: 18-19, John 21: 15-17),’ c.1515-6. 24 February 2024
The Church St Michael Paternoster, London 19 February 2024
Ham House, Richmond, London 17 February 2024
Peter Lely (1618 –1680) and Studio, ‘Portrait of Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698). 17 February 2024
Attributed to Pytheos (4th century BC), the Amazon frieze from the Mausoleum at Halicarnassus in Ionia, c. 350BC. 16 February 2024
St Etheldreda’s Church, Ely Place, the City of London. 15 February 2024
Dirck van den Bergen (c.1645–c.1690) and the end of the Dutch Golden Age: the Ham House paintings in London 14 February 2024
Unidentified English painter, Portrait of Sir Walter Ralegh, 1588 12 February 2024
Southwark Cathedral, London. 12 February 2024
Strawberry Hill House,Twickenham, Greater London. 11 February 2024
Francisco de Zurbarán (1598 – 1664),’ Saint Francis in Meditation,’ 1635-1639. 6 February 2024
The Parthenon, Block II from the West Frieze, The Procession of the Panathenaic Festival, c. 443–437 BC. 5 February 2024
Gerrit van Honthorst (1592 – 1656), ‘St Sebastian,’ c.1623. 5 February 2024
St George’s Bloomsbury in London: An Eighteenth-Century Church with a Pyramid Steeple and King George I Above. 4 February 2024
Artemisia Gentileschi (1593–c.1654), ‘Self Portrait as Saint Catherine of Alexandria’, c.1615–17. 3 February 2024
Frans Hals (1582–1666), Portrait of Jean de la Chambre at the Age of 33, 1638 28 January 2024
St Botolph without Aldersgate, London 25 January 2024
Unidentified early 17th-century Lübeck copyist, Emblematic Scroll in Latin, attributed to George Ripley (1415-1490), circa 1600 25 January 2024
Sebastiano del Piombo (1485-1547), “Judith (or Salome?),” 1510. 24 January 2024
St Vedast Alias Foster, London 23 January 2024
The Question Mark: Rembrandt’s A Woman Bathing in a Stream and What We Bring to It 14 January 2024
The Last Great Commission: Rubens and the Torre de la Parada 13 January 2024
St Olave’s Church, Hart Street, London. 12 January 2024
François Duquesnoy (1597 –1643), ‘Rondanini Faun,’ c.1625-1630, and the reworked fragment Roman 2nd century AD. 11 January 2024
St Margaret Lothbury, London. 11 January 2024
Foundling Museum, London 11 January 2024
Johann Zoffany (1733–1810), ‘Portrait of John Christopher Smith (1712–1795),’ 1763. 11 January 2024
A Late Byzantine Icon Remembering the Century That Destroyed Sacred Images 10 January 2024
Tilman Riemenschneider (1460–1531), The Adoration of the Three Wise Men, 1505–1510. 10 January 2024
St. Lawrence Jewry next Guildhall Church in the City of London. 9 January 2024
St Bride’s Church, Fleet Street, London 6 January 2024
The Family Circle and the Female Portrait Ideal in Rubens’s Antwerp 6 January 2024
Peter Paul Rubens (1577-1640) and Frans Snijders (1579-1657), ‘Diana Returning from the Hunt,’ c. 1616. 6 January 2024
2nd century AD Antonine period, Roman marble copy after a 200 BC Hellenistic bronze attributed to Doidalses of Bithynia, ‘Crouching Venus’. 1 January 2024
Rembrandt van Rijn (1606-1669), ‘Portrait of Jacob de Gheyn III,’ 1632 1 January 2024
St Nicholas Cole Abbey, London 30 December 2023
St. Dunstan in the East, City of London 30 December 2023
Self-Portrait Study, c.1604: Rubens in Mantua 29 December 2023
Clara Serena Rubens: A Portrait of Loss 29 December 2023
St Michael’s Church, Cornhill, the City of London 29 December 2023
The Charterhouse, Charterhouse Square, City of London. 29 December 2023
Peter Paul Rubens (1577-1640), ‘Study of a head of a woman’, 1630-1631 28 December 2023
Piety as Power: Rubens’s Portrait of the Infanta Isabella Clara Eugenia after the Twelve Years’ Truce. 28 December 2023
Hans Holbein the Younger (1497/8-1543), ‘Portrait of Sir Nicholas Poyntz (c.1510-1556)’, 1535. 21 December 2023
The Lost Fabric of Devotion: Flemish Tüchlein Painting and the Legacy of Dieric Bouts of Louvain (c.1415–1475) 18 December 2023
Probably Frans Hals (1581-1666) or his workshop, ‘Portrait of a Young Woman,’c.The 1660s 18 December 2023
The Temple Church, London 12 December 2023
St Margaret Pattens Church, the City of London 8 December 2023
Francesco Pesellino (1422–1457) and Fra Filippo Lippi (1406–1469) and workshop, ‘The Pistoia Santa Trinità Altarpiece,’ c.1455–60 8 December 2023
St James Garlickhythe, the City of London 8 December 2023
St Andrew-by-the-Wardrobe, City of London. 8 December 2023
St Mary le Strand, London 6 December 2023
Antoon van Dyck (1599–1641), ‘Portraits after Tintoretto’, c.1621–27 6 December 2023
Albrecht Dürer (1471–1528), ‘The Four Horsemen of the Apocalypse’, c.1498. 6 December 2023
St George’s Hanover Square Church, Hanover Square, Mayfair, London 5 December 2023
Frans Hals (1582–1666), ‘La Bohémienne’, c.1626 4 December 2023
Michael Sweerts (1618–1664), ‘A Portrait of the Artist (?), Presenting the Virgin in Prayer’. 1 December 2023
Rembrandt Harmensz. van Rijn (1606–1669), Self-Portrait in a Heavy Fur Cap, 1631 1 December 2023
Rembrandt Harmensz. van Rijn (1606-1669), ‘Self-Portrait in a Cap, Wide-Eyed and Open-Mouthed’, 1631 1 December 2023
Rembrandt Harmensz. van Rijn (1606–1669), ‘The Artist’s Mother Seated at a Table, Looking Right: Three Quarter Length,’ c.1631 1 December 2023
Rembrandt Harmensz. van Rijn (1606–1669), Christ Crucified Between the Two Thieves: ‘The Three Crosses’, 1653 1 December 2023
Sassoferrato (1609–1685), ‘The Madonna at Prayer’ 1 December 2023
The Guild Church of St Katharine Cree, City of London 29 November 2023
Catalan Romanesque school, Saint Philip, Saint Jude and Saint Bartholomew, c.1150–1170 27 November 2023
Nicholas Hilliard (1547–1619), ‘Self-portrait, aged 30,’ 1577 27 November 2023
Unidentified Lombard masters, c.1780–1790, A Music Room 26 November 2023
Jean-Étienne Liotard (1702–1789), Dutch Girl at Breakfast, c.1756 23 November 2023
Van Dyck and the Ruins of the Gemäldegalerie 21 October 2023
The Grotto Hall (Grottensaal), Neues Palais, Potsdam. 20 October 2023
China Without China: Fantasy and Ornament at Sanssouci 20 October 2023
Giulio Cesare Procaccini (1574–1625), ‘Jesus and the Woman Taken in Adultery’, c.1620 20 October 2023
Adagios at Sanssouci: Frederick the Great and the Making of the Music Room 20 October 2023
The Neues Palais in Potsdam and the memory of Prussian and postwar Europe 20 October 2023
The Marble Hall, Neues Palais, Potsdam 20 October 2023
Bedroom from the Sagredo Palazzo, Venice, c.1720s 7 October 2023
Battista di Domenico Lorenzi (1527/28–1594), Alpheus and Arethusa, 1568–70. 7 October 2023
Michelangelo Merisi da Caravaggio (1571–1610), ‘The Incredulity of Saint Thomas’, 1601–02 21 September 2023
Attributed to Adriaen Hanneman (c.1603–1671), ‘Portrait of the sculptor Hubert Le Sueur (c.1580–1658)’. 19 September 2023
The Monogrammist IS (active 1632–1658), ‘Portrait of an Old Lady, bust-length, wearing a fur coat and a blue and golden headdress’, 1644. 9 September 2023
Temple Bar, the City of London 31 August 2023
Leonard Limosin (c.1505–c.1577), ‘Portrait of Anne d’Este (1531–1607)’, c.1563–66 28 August 2023
Life Emerging from Marble: Michelangelo’s Taddei Tondo 27 August 2023
Alfred Edward Emslie (1848–1918), ‘A Sonata of Beethoven’, 1901 23 August 2023
Rembrandt van Rijn (1606–1669), Portrait of Aechje Claesdr, 1634 23 August 2023
The Dead Christ Mourned by Two Angels: Guercino’s Vero Phase 22 August 2023
The Gate of Honour, Gonville and Caius College, Cambridge 19 August 2023
Peter Paul Rubens (1577–1640), ‘Adoration of the Magi’, c.1633–34 19 August 2023
Titian (c.1488–1576), Tarquin and Lucretia, 1571 19 August 2023
Hendrick Goltzius (1558–1617), ‘Vertumnus and Pomona’, 1615. 13 August 2023
St Dunstan-in-the-West, Fleet Street, the City of London 12 August 2023
St Mary Aldermary, Bow Lane, the City of London 12 August 2023
King’s College Chapel, Cambridge (1446–1547) – Perpendicular Gothic as a Tudor Monument to Dynastic Legitimacy. 12 August 2023
Designed by Vincenzo de’ Rossi (1525–1587) and cast by Raffaello Peri (active 1560s–1570s), ‘Pluto and Proserpina’, c.1565. 7 August 2023
A Self-Portrait by Carel Fabritius, Marking the Transition from Rembrandt’s Studio to Independent Mastery in Delft 6 August 2023
Two Temple Place, the City of London 5 August 2023
Caius Gabriel Cibber (1630–1700) and the Drama of Renewal: Allegory and Power in the London Monument’s Bas-Relief. 4 August 2023
Falkland Palace Falkland, Fife, Scotland 3 August 2023
The Royal Palace at Stirling Castle, Scotland 3 August 2023
Continuity and Decline: Bernardino Fungai (1460–1516) and the Legacy of the Sienese School 3 August 2023
Antoon van Dyck’s Paris: Myth, Judgment, and the Allegory of Choice 3 August 2023
Unidentified Brussels Workshop, ‘The Three Fates’, early 16th century 29 July 2023
Christopher Weiditz (c.1500–c.1560), ‘Hercules Removing a Thorn from his Foot’, c.1540–50. 29 July 2023
Workshop of Grinling Gibbons (1648–1721)? A white marble baptismal font stands in St James’s Piccadilly, London 29 July 2023
Barbara Villiers (1640–1709) as Madonna with the Royal Illegitimate Son: Desire and Power in Lely’s Restoration Court Portrait 28 July 2023
The Novgorod Saint George (15th century): Icon of Eternal Combat with Evil 27 July 2023
Between Type and Person: Rembrandt’s Half-Length Women, the Belle Donne Tradition, and the Problem of Hendrickje Stoffels 26 July 2023
Francis William Doyle-Jones (1873–1938), Chimera with Personifications of Fire and the Sea, 1914. 26 July 2023
St Mary Woolnoth, Lombard Street, the City of London. 25 July 2023
Rembrandt’s Self Portrait at the Age of 34, Fashioning Himself through the Legacy of the Renaissance 12 July 2023
Van Dyck’s Last Self-Portrait in the Twilight of Fame and Fragility 10 July 2023
Spencer House, London 30 June 2023
The Fragile Heir, Titus van Rijn in Rembrandt’s Years of Crisis 28 June 2023
All Hallows by the Tower, the City of London 28 June 2023
Gossaert’s Adam and Eve, Between Human Desire and Divine Command. 27 June 2023
Rembrandt’s Christ as Gardener with Mary Magdalene at the Tomb: A Rare Depiction of the Moment Before Recognition 25 June 2023
A Portrait in the Disaster Year 1672, Marine Artist Willem van de Velde the Younger and the New Course of Dutch Marine Painting in England 25 June 2023
Church of Saint Magnus-the-Martyr, City of London 25 June 2023
Unidentified 18th century wood carver, ‘The figurehead of an ancient hero’, Queen’s House, Royal Museums Greenwich 25 June 2023
Chapel of St Peter and St Paul, Greenwich, London 24 June 2023
Inigo Jones’s Tulip Stairs at Greenwich: Palladian Theory, Stuart Patronage, and the First Cantilevered Staircase in England. 24 June 2023
St Clement Danes Church, London 19 June 2023
The main staircase at the Wallace Collection, London 16 June 2023
From Prized Trophies to Faded Presences, The Changing Attributions and Fortunes of Leonardesque Paintings 16 June 2023
Willem Drost (1633–1659), ‘Young Woman in a Brocade Gown’, c.1654 15 June 2023
The Rhetoric of the Everyday, Netscher’s Lacemaker and the Hidden Language of Dutch Genre Painting 15 June 2023
St Mary-le-Bow Church, City of London 15 June 2023
Domenichino’s Sibyls, A Sensual Alternative to His Monumental Altarpieces for Private Patrons in Rome 15 June 2023
St Martin Ludgate, City of London 14 June 2023
St Stephen Walbrook, London 14 June 2023
Johannes Vermeer’s Guitar Player (c.1670): From the Performance of Desire in the Dutch Republic to the Thefts and Mysteries of Modern Times 14 June 2023
Painting as Raison d’Être in Rembrandt’s Final Years 14 June 2023
St Mary Abchurch, a Miniature Baroque Interior of Late Stuart London that Unites the Grand Ideas of the Dome, Painted Theology, and Symbolic Furnishings 13 June 2023
Between Restraint and Display: Isaack Luttichuys and the Fashioning of Calvinist Amsterdam 13 June 2023
St Bartholomew the Great: London’s Rare Romanesque Survival with Gothic and Later Extensions. 12 June 2023
Rembrandt’s Portrait of Philips Lucasz: A Seaman of the Dutch East India Company between Honour and the Perils of the Sea. 12 June 2023
Michelangelo Merisi da Caravaggio (1571–1610), Salome Receives the Head of Saint John the Baptist, 1609/10 11 June 2023
Caravaggio at Twenty-Five: The Stigmatization of Saint Francis and the Beginnings of a Style that Would Redefine the Baroque 11 June 2023
Caravaggio: Bread, Light, and the Breaking of Silence 10 June 2023
Hugo van der Goes between Devotion and Withdrawal, Where Portraiture Bears the Mark of Personal Struggle. 9 June 2023
After Michelangelo Merisi da Caravaggio (1571–1610), Nativity with St Francis and St Lawrence 8 June 2023
Murillo: From Poverty to Transcendence, in Haunting Light and the Language of Sacred Love 7 June 2023
Workshop of Michael Sittow (1469–1525), The Holy Kinship, early 16th century. 7 June 2023
Donatello’s Late Lamentation: Breaking Harmony, Forging the Future of Renaissance Sculpture 7 June 2023
In the Shadow of Donatello: Angels, Pathos, and the Afterlife of an Early Renaissance Genius 7 June 2023
Following Nature Unpleasantly: Hendrick ter Brugghen, After the Italian Years, and A Man Playing a Lute (1624) 5 June 2023
A Rare Late Work by Jan Gossart, c.1530: A Striking Portrait of an Unknown Sitter with Extraordinary Courtly Provenance 5 June 2023
The Falling Band and the Decline of the Ruff: Male Fashion in Carlo Maratta’s 1663 Portrait 5 June 2023
Margaret of Parma at the Habsburg Crossroads: From Illegitimacy to Regent, The Illegitimate Daughter of Charles V as Dynastic Governor on the Threshold of the Dutch Struggle for Independence 5 June 2023
Jacob’s Bowl of Lentils: Matthias Stom and the Caravaggesque Language of Destiny 4 June 2023
The Haunting Beauty of Faith in Matthias Stom’s Christ on the Mount of Olives 3 June 2023
Hans Eworth’s Portrait of Sir John Luttrell, A Mid-Tudor Allegory of Ambition and Captivity 28 March 2023
The Hadrian’s Wall in Northumberland 18 July 2021